會員影評



《大丈夫》的後九七無能

導演:彭浩翔
編劇:彭浩翔、葉念琛、李敏



點金成鐵的《奇幻兵團》

導演:史提芬諾寧頓(Stephen Norrington)
編劇:占士羅賓遜(James Robinson)
演員:辛康納利(Sean Connery)、東尼高雲(Tony Curran)



《龍咁威》— 今天我們才有一個「成長」故事

導演:谷德昭
編劇:谷德昭、葉念琛

分類:


Feature of September: Sergio Leone's Man-with-no-Name Trilogy

Before A Fistful of Dollars (1964), American Westerns means John Wayne. You can imagine the impact when the Man-with-no-Name trilogy came out, though at that time the Western genre was still far from being stale.



Dragon Loaded - Finally, We Have a 'Growing Up' Story

The cinema world is demarcated by landmarks. The last three years are marked by films on the Hong Kong spirit, nostalgia and our future. In 2001, it was Shaolin Soccer and in 2002 we had Infernal Affairs and Golden Chicken. As for 2003, to date, it probably is PTU and the sleeper hit Dragon Loaded 2003.



談談沙治奧里昂的獨行俠三部曲

在《獨行俠連環奪命槍》(A Fistful of Dollars1964) 推出之前,美國西部片主流便是尊榮那一種。你完全可以想像,獨行俠系列一出,是如何的像一塊大石,激盪那時即使未算死水的西部類型片。沙治奧里昂和奇連伊士活都是靠此片一舉成名,而Ennio Morricone的電影配樂也從此令人津津樂道。



《向左右向右走》──電影向左走,評論向右走

導演:杜琪、韋家輝
編劇:韋家輝、游乃海、歐健兒、葉天成
演員:金城武、梁詠琪、陳之財、關穎、林雪、許紹雄



情冷了才《戀上你的床》

導演:陳慶嘉、梁柏堅
編劇:陳慶嘉
演員:劉青雲、古天樂、鄭秀文、蔡卓妍、吳君如、梁家輝、黃毓民

有時感情的維繫只在於大家想保留共同睡過的那一張床,《戀上你的床》正因為那張床已沒有我的份兒,而與「你」情已逝,只想保留未損毀的「床」來記存那一段回憶,那麼愛已變得不再這麼單純了。

與《絕世好Bra》和《絕世好B》同樣以題材先行,《戀上你的床》利用四位主角多線發展來推動劇情,互相衝突同時又相互對應,然後總合一個時代主題。




Cheng Poi-shui's Medusa Complex

Starting out with Diamond Hill (00), and then with Horror Hotline Big Head Monster (01) and New Blood (02), Cheng Poi-shui, before long, has distinguished himself to be an up-and coming director worthy of seeking out, and earned himself a nomination for Outstanding Young Director in the 2003 Hong Kong Film Awards. Moreover, he is even more certain of his future direction in horror and thriller films, the focusing on which would allow him to leave a deeper imprint.



Feature of August: A Look at the 2003 Hong Kong Independent Film Festival

Fruit Chan's Realist Fantasy

Fruit Chan's Public Toilet is an attempt in the road movie genre, which means the hastening of the growing up process through the experiences on the road. This time, Fruit Chan leaves the Hong Kong locality behind and opts for a wandering environment, another new attempt on his side. Despite the road movie genre, Public Toilet is actually a continuing exploration of the noir fantasy of Hollywood Hong Kong. This time, though, the abstract concepts are given preference; the search of the miracle doctor is itself a non-realistic entry point. Together with the above said realist fantasy handling, the film is rich on fantasy. What is missing, though, is the down-to-earth feeling that is the trademark of Fruit Chan films.

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