狄美樹



《哈姆雷特》:存在電影的方法

哥辛薛夫(Grigori Kozintsev)密鑼緊鼓籌備他大銀幕的《哈姆雷特》(1964)時,接受《電影與拍攝》(Films and Filming)雜誌的訪問:

「我覺得莎士比亞需要一種全新、個人的解讀;每一個年代每一次嘗試,都要為角色人物創造新觀點,都應該給現今的觀眾呈現屬於當下、絕對栩栩如生的歷史新觀、詩的神髓和人文精神……我會嘗試展現普世的情感、普世的詩歌哲學,但我不會用傳統劇場的調度,我會用電影的方法。」(I think at the same time Shakespeare needs of a kind of new, individual interpretation. Every new effort of every generation creates a new aspect of this character. A new aspect of history, the spirit of poetry, the sense of humanity, should be modern and absolutely lifelike for audiences today... I shall try to show the general feelings, the general philosophy of the poetry, but I shall not use the medium of traditional theatre staging. I want to go the way of the cinema.)