鳳毛



《20.30.40》是有關女性的電影還是女性電影?

導演:張艾嘉
編劇:張艾嘉、關皓月、芝seebi



The Portrayal of the Undercover Cop and Gangster Mole in Infernal Affairs

The plot of Infernal Affairs, admittedly, does not break away from local cop/mob or undercover genre conventions, but it does stand above others in character portrayal and story development. The underlying questioning the blurred cop/mob line, particularly, leaves something to ponder.



《無間道》的黑白臥底人物塑造──突破既定道德觀

導演:劉偉強、麥兆輝
編劇:麥兆輝、莊文強
演員:劉德華、梁朝偉、黃秋生、曾志偉、杜汶澤、鄭秀文、陳慧琳

《無間道》整部電影的橋段,雖然仍然不脫港產警匪片及臥底的格局,但它對各人物的造型,以及情節的布局,的確比同類電影略勝一籌,尤其對黑白兩道界線的含糊,帶出了一個發人深省的質疑。

劉德華飾演的劉建明,和梁朝偉所演的陳永仁這對黑白臥底,標誌著雙生兄弟般的同質與迥異。兩者同樣是臥底,則注定要不斷徘徊偽裝角色和真實角色中。電影的整體推動力正是由兩者作為警察/臥底,忠/奸甚至牽連警司/大佬幾種對立層面的鬥智角力。劉冷峻的外表及處事不驚的態度,使觀眾到最後還搞不清,他到底符不符合警匪模式中的白/忠/正的行為。




Love for All Seasons - Yet Again a Male-centric Love Story

Though shot in location in the scenic Mount Emei in Chengtu, with typically Hong Kong story and farce, a universal love plot-line, some auspiciously named kungfu moves and a happy ending, Love for All Seasons is very much a film formulated for the Chinese New Year holiday. Just as in Wu Yen, Johnnie To Kei-fung again stoops to conquer. Both starring the box-office queen Sammi Cheng, this time there is the addition of the hot hunk Louis Koo, and the audience of course expect nothing less than a romantic love story for a temporary relief from the gloomy reality.